1/20/2024 0 Comments Names of chimpanzee teeth![]() What was it like growing up there? I guess he thought I was kind of exotic, but to me, he was the exotic one, growing up in sunny California. But BOB’S ANSWER WAS STILL NO.īob and I were genuinely curious about each other, and I believe that’s what comes across on the screen. MAKE IT EQUAL.” And I told Ray to pay him whatever he wanted. Write more scenes to strengthen his character. I WANTED BOB TO BE HAPPY, so I told Sydney, “Give him anything he wants. I was in the middle of filming Up the Sandbox in Africa, and one day I got a telegram from Sue Mengers that simply said: “Barbra Redford!” That’s when I knew he’d finally said yes…and I was so thrilled! The courtship had been tough, but Bob’s reluctance had a big influence on the script and ultimately resulted in a richer, more interesting character. I told Ray to give it to him and kept praying. Sydney kept begging for another week to work on Redford. Apparently he thought any blond actor would do, and Ryan O’Neal was next on his list. Ray was pressing us to move on and hire someone else. And I told Ray to pay him whatever he wanted.īut Bob’s answer was still no. Make it equal.” So Sydney hired two excellent writers, David Rayfiel and Alvin Sargent, to beef up Bob’s part and go deeper, beneath that golden-boy exterior. I wanted Bob to be happy, so I told Sydney, “Give him anything he wants. Not very real.” “A pin-up girl in reverse,” as Sydney put it. What does this guy want?” In Bob’s opinion, he was “shallow and one-dimensional. (He was right.) Bob asked Sydney, “Who is this guy? He’s just an object…. ![]() It’s like playing tennis…I knew my own game would go up when I was opposite a strong player.īut Bob was concerned that the script was so focused on Katie that Hubbell’s character was underdeveloped. He was as persistent as I was, because we both felt that only Redford would make the picture work. Since Sydney and Bob were so close, my best hope was that Sydney could somehow persuade him. But like my husband, he’s almost apologetic about his looks, and I liked that about him. You’re never going to get it all…and that’s the mystery…that’s what makes you want to keep looking at him.īob is that rare combination…an intellectual cowboy…a charismatic star who is also one of the finest actors of his generation. Like the greatest movie stars, Bob understands the power of restraint. You never quite know what he’s thinking, and that makes him fascinating to watch onscreen. But what intrigued me most about Bob was his complexity. I did think he was very handsome…a wonderful jawline…great teeth. I was drawn to him not because of his appearance…guys with blond hair and blue eyes were never my type. Well, there were definitely five in The Way We Were, so I called Ray, very excited, and said, “I love it!” ![]() I read somewhere that David Lean said if you had five great scenes in a script, it could make a great movie. I knew why she fell in love with Hubbell Gardiner, the good-looking jock who was also a gifted writer. She was passionate about life and concerned about the world. This girl, Katie Morosky, touched me profoundly. I absolutely fell in love with the story. Her name was Fanny Price…funny coincidence, or was it a sign? He said, “She was intense, passionate, and Jewish, like you.”Īrthur went home and wrote a treatment, and as soon as I read it, I thought, Holy mackerel! This is fantastic. Arthur knew I was politically active, and as I was ranting about the state of the world, suddenly he was reminded of a very smart girl he knew in college who came from a lower-middle-class family and was president of the Young Communist League. I liked it even less, but as we were talking, the subject turned to politics. Arthur told me that Ray was impressed with the huge success of The Sound of Music and The Miracle Worker and thought, Why not combine the two and have me teaching handicapped children in Brooklyn to sing? Arthur wasn’t enthusiastic about that idea, to say the least, but he came over to discuss it with me. ![]() It was the producer Ray Stark who initially asked Arthur Laurents to write something for me. ![]()
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